Saroj Khan Choreographed Madhuri-Aishwarya's Dola Re Dola Lying On The Floor: 'She Was In Pain'

The iconic song "Dola Re Dola" from the 2002 film Devdas, featuring the dazzling Madhuri Dixit and Aishwarya Rai Bachchan, remains a Bollywood masterpiece, celebrated for its grandeur and exquisite choreography. However, behind the scenes, the song's creation was fraught with challenges, most notably the ill health of legendary choreographer Saroj Khan.

Director Sanjay Leela Bhansali revealed that Saroj Khan was in immense pain during the filming of "Dola Re Dola". Despite her condition, she remained dedicated, directing the dance moves while lying on the floor. Bhansali recounted that she would lie down on the floor and give instructions, shooting for 15 days in that condition. Her commitment and passion were such that even in a semi-conscious state in the hospital on the day of the film's release, she inquired about the audience's reaction to "Dola Re Dola". She asked if the audience showered coins on the screen during the song.

"Dola Re Dola" presented unique challenges, as Saroj Khan had to ensure that both Madhuri and Aishwarya, both accomplished dancers, were given equal prominence in the choreography. She was aware of the comparisons that would be made between the two leading ladies and meticulously crafted the steps to highlight their individual strengths without overshadowing each other. Saroj Khan mentioned that she didn't want either of them to feel left out. Madhuri would arrive prepared on set after days of rehearsal, while Aishwarya would rehearse on set.

The effort and dedication paid off, as "Dola Re Dola" became a sensation, winning Saroj Khan her first National Film Award for Best Choreography. She also won 17 awards for the song. The song also had a significant impact on fashion trends, with the sarees and jewelry worn by Madhuri and Aishwarya becoming highly sought after. Karan Johar paid tribute to the song in his film Rocky Aur Rani Ki Prem Kahani.

Bhansali has lauded Saroj Khan's ability to adapt Indian classical dance and folk elements into mainstream Bollywood numbers. He also compared her importance to choreography to that of Salim-Javed's to screenwriting, emphasizing that she brought stardom to the craft. He also noted her understanding of the importance of every beat. Despite their later differences, Bhansali acknowledged her immense contribution to his films, including Khamoshi: The Musical, Hum Dil De Chuke Sanam, Devdas, and Saawariya.

Saroj Khan's career spanned over forty years, during which she choreographed over 3000 songs and won numerous accolades, including four National Film Awards and eight Filmfare Awards for Best Choreography. She is remembered as the first woman choreographer in Bollywood and for her mastery of the mujra dance form. "Dola Re Dola" remains a testament to her artistry, resilience, and unwavering commitment to her craft, solidifying her legacy as one of the greatest choreographers in Indian cinema.